When I first began my journey with watercolor, I closely followed an artist who used a combination of colors to produce black. She would, for instance, mix blue and brown to produce a wide array of grays and an “almost black,” which then could be used to give paintings an interesting depth of color while providing contrast. I never remember her using white, although there were instances where masking fluid was used to allow the white of the paper to add dimension.
Hence I never added black or white to my collection of paints. Until now! As I have explored different artwork, I have become very intrigued with the dimension that black can add to a work and how it can make other colors become more prominent in a painting. Alongside that is the notion that it just completes the range of colors that make up most of what we see. Real life has lots of white and black so this lends itself to art as well; this makes art more recognizable to us.
I look forward to creating some pieces with my new passion for white and black. Can’t wait to share them with you!
This week I am very excited to focus on cubism. Pablo Picasso was one of the founders of this movement, which placed art within the confines of geometric shapes, two dimensional space and multiple viewpoints. Here is a lovely essay on this style, if you care to learn more!
This week, the work which is our launching point is Sylvette by Picasso. A lovely portrait painted with lots of shapes, colors and limited detail, so that we are forced to focus on the things that are important to consider. Keeping that in mind, this week’s challenge is to:
Complete a modern portrait of something inspirational to you while paying homage to cubism.
I chose to do a painting of a female with lots of colors and shapes. The shapes in my artwork were placed to enhance facial features and give more interest to the picture as a whole. Also, as I was completing the work, I started thinking about how symmetry is often related to beauty. Hence, I offset some of the facial features to see if my perception would change. What do you think? Is the woman in the painting beautiful still, or does the misalignment of things take away from her appeal?
I look forward to seeing what you come up with! If you are new to this challenge, you can visit this page for more details. Also, don’t forget to tag your work with #whatsnextwed, so that everyone can see what you’ve done.
Special thanks to talented artist Holly Sharpe for giving me some inspiration in modernizing this piece. You can visit her lovely work here.
Welcome to our newest installment of What’s Next Wednesday! This week’s challenge is:
Recreate your own version of The Scream by Edvard Munch, but add a modern element!
Don’t forget to post your work at #whatsnextwed for all to see! I had a blast with this piece, although I came to realize that I am much better at recreating three dimensional subjects than two dimensional ones! It was also a new experience for me to recreate, with watercolors, some of the painterly details that were originally rendered in paints/pastels. So here is my version:
As you can see, I added headphones, which gave the expression a whole new context. I will let you interpret the context as you wish. I also took to heart that the clouds were originally linked to blood in Munch’s painting. This inspired me to really “go for it” when adding the red in the sky and to let the colors flow as they wanted to, much like blood might flow across the sky if it could. Hope you have fun playing with this piece this week!